MORE IMAGES TO COME
Sunday, November 01, 2009
Monday, September 14, 2009
CROSS COLOURINGFrom: Jess Johnson <hellgallery@gmail.com>Date: 14 September 2009 1:02:05 PMTo: Jess Johnson <hellgallery@gmail.com>Subject: CROSS COLOURING / Opening Friday 18 September 6 til late
An exchange between Gambia Castle (NZ) / Joint Hassles (MEL)
Curated by Harriet Kate Morgan and Sarah Hopkinson
Opening Friday 18 September 6 til late
September 19 – October 10, 2009
Josh Petherick / Alex Vivian / Jess Lucas / Kate Smith / Harriet K Morgan / Christopher LG Hill / Lane Cormick / Rob McHaffie / Helen Johnson / Kain Picken & Rob McKenzie / Nick Selenitsch / Sean Bailey / James Deutsher / Dan Arps / Nick Austin / Andrew Barber / Fiona Connor / Simon Denny / Daniel Malone / Tahi Moore / Kate Newby / Tao Wells
In early 2009, Joint Hassles were edged out of their gallery space in Northcote due to Melbourne’s inner-city rent hikes. On becoming spaceless the Joint Hassles artists have climbed out of the white cube and been making friends… hosting art events in bedrooms, backyards, public parks and music venues. In the interests of sharing, Hell Gallery decided to offer up its premises. Joint Hassles asked if they could bring a friend and a third gallery was invited to the party. Gambia Castle is a gallery co-operative based in Auckland, NZ. Sharing similar ideologies in community and collaboration, Joint Hassles and Gambia Castle will come together at Hell Gallery in a group show of over twenty artists.
Jess & Jordy / Hell Gallery
5a Railway Place, Richmond 3121
Open Saturdays 12 - 5pm or by appointment
0431 974578 / hellgallery@gmail.com
www.hellgallery.blogspot.com
http://jointhassles.blogspot.com
http://www.gambiacastle.net
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CROSS COLOURING
NICK AUSTIN
KATE NEWBY
ANDREW BARBER
FIONA CONNER
SIMON DENNY
DANIEL MALONE
TAHI MOORE
TAO WELLS
JESS LUCAS
JOSHUA PETHERICK
SEAN BAILEY
LANE CORMICK
HELEN JOHNSON
KATE SMITH
HARRIET K MORGAN
JAMES DEUTSHER
CHRISTOPHER LG HILL
ROB MCHAFFIE
KAIN PICKEN&ROB MCKENZIE
ALEX VIVIAN
NICK SELENITSCH
GROUP SHOW CURATED BY HARRIET K MORGAN AND SARAH HOPKINSON
Tuesday, August 18, 2009
Sunday, July 26, 2009
Tuesday, July 21, 2009
POSTERS
In your own room, posters fill a lack and at the same time create an identity. The lack is an idea but its not one I carry out or relate to. Some people tend to be fine with having nothing on the walls (which by the way is fine, it’s just not me etc). Wall adorning is one of the actions you can be involved in, amongst other ideas like representative t-shirt and patch wearing. Posters are less of this idea but in a room- they are central. Creating an identity or a representation through actual things is in itself a creation and the process doubles over. The idea is executed by the artist, say a band, someone who created a symbol, a motorcycle company, a naked woman - and then this idea is taken into a different sphere by someone- a fan or friend or anyone who recognises. I don't really have to explain posters to everyone but it is always good to clarify I guess.
The posters in this show touch on this idea in differing ways, as in I now have a different representation of these people than the one I may have had before due to the differing media Ideas are filtered through black and white and then into different aspects of their practice, music and designs. Finally, the restrictions of the paper further unite them into the generic world of a bedroom poster. In my experience posters look good anywhere and at any stage of their deteriorating career and they look especially good in a house. Since I had to move out of my parents’ house and become real (:)) I have been noticing more and more the idealness of a house gallery, (reminiscent of Dudespace). You get up and you’re at work. It’s so human and at the same time its really alien and awkward because a line is blurred.
Through doing these two shows I have seen the importance of having a space. However I also think that this Dudespace idea has been reinstated or rediscovered as something representational of Joint Hassles’ ideas. If those ideas implied by me are ones of a punk attitude, or of making ends meet, then having a show in a house couldn’t be closer to them. The old space (and space in general) had so much to do with the presentation of work and the subsequent thoughts gathered from looking at it, but in this case, now, ideas are inferred even before the show has started. We have always dealt with what we have and the means available and this is the most literal we have ever been.
Monday, July 20, 2009
THIS IS NOT MY WORLD,
2006
Design- Seldon Hunt
Dupont screenprint on trilobal polyester
124 x 1400 cm
Courtesy Anna Schwartz Gallery, Melbourne

Sunday, July 12, 2009

CONSTANT GRILLS/KISS THE GOAT/TRIUMPH OVER SPIRIT
It’s hard enough to exist in a place where you belong let alone one where you feel as if, or where you really don’t. This is how I felt in QLD, which is where I went for a month, with the intention of staying twice as long. I didn’t even really want to be there, of all places but I wanted some sort of change.
“A reversed pentagram, with two points projecting upwards, is a symbol of evil and attracts sinister forces because it overturns the proper order of things and demonstrates the triumph of matter over spirit. It is the goat of lust attacking the heavens with its horns, a sign execrated by initiates…….
Less esoteric LaVeyan Satanists use it as a sign of rebellion or religious identification, the three downward points symbolising rejection of the holy Trinity.”
I would like to thank those who did look after me though as not all of my experience or personal change in QLD was or is bad.
These tshirts symbolize my time there as, and without going into boring detail, I definitely came back a different person in both good and bad ways. Being there made me question everything I was about and my place on the earth as an existing (female) human.

































